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The baroness, Wife of music baron and producer Bhushan Kumar, Divya Khosla Kumar, has carved her own identity.
Yes, she’s to the manor born. Yet, Divya Khosla Kumar refuses to be a baroness shut in her ivory castle. Being wife of T-Series honcho Bhushan Kumar, life can be a song and dance. But she chooses the mayhem of the studios where the thrill of wielding the baton surpasses all challenges. The young director is gearing up for her second directorial venture, Sanam Re starring Pulkit Samrat and Yami Gautam. The one-film old director betrays no nervousness. In fact, even before her debut Yaariyan hit the screen, her instincts led her to believe that it would do well. This could be attributed to the fact that the world of cinema is something she’s familiar with. The pretty Divya, who was first seen opposite Akshay Kumar in Ab Tumhare Hawale Watan Sathiyo, surprised all when she took to direction. She says “What happened behind the camera always fascinated me. But my husband didn’t want me to assist anybody because he didn’t want his wife to run around. That made things difficult for me. So I learnt editing and cinematography. I was also part of the music video department at T-Series.” She continues, “Then I directed a film on anti-piracy, which was appreciated and soon began directing music videos. I was trained enough to make Yaariyan.”
Being the wife of a producer she’s money savvy. She made her debut film in a budget of mere 10 crores, “To become a successful director, you first need to be a successful production manager. While shooting something as small as the song Pyjama party in Yaariyan, I made sure I cut the cost. I called 40 dancers on day one, 25 dancers on day two and two dancers on day three. I developed this acumen by directing music videos in minuscule budgets.” She’s excited about her next offering Sanam Re. Her shift from a popcorn canvas to an emotional love story, shot in Ladakh, seems interesting. “As a creative person, I must challenge myself. Also, I don’t relate to art films. I relate with commercial cinema.” She rues the fact that her husband never visits her set. “Bhushan joined us for Yaariyan for three days. I like shooting in the cold – we shot some parts in Sikkim and Darjeeling – but he lay under a quilt the whole day. He’s the kind of man who’s always on his toes but to see him snuggled in bed all day was a shock. Even while we were shooting for Sanam Re, he kept cribbing, ‘kitni thand hai’,” she laughs, ” But Bhushan is my greatest critic. His inputs are valuable. I rely on his advice.”
Bhushan too values her feedback. “He shares the stories of his upcoming ventures, the songs… he bounces off ideas. Bhushan has a fine ear for music. He’s inherited that from his dad (the late Gulshan Kumar, founder of T-Series),” she says. The couple, however, does not favor South remakes. “Hindi filmmakers should rely on their own ideas. Why beg, borrow and steal? We need to give credit to our writers.” She’s aware of the pros and cons of being a celebrity and takes it in her stride. “Sajid Khan recently wrote in his column that people reviewed him more than his films. That’s so true. When Yaariyan released, I was under great scrutiny.”
Her priority has always been her family and son, Ruhaan, “The biggest risk I took in life was quitting acting to get married. Marriage is a gamble, sometimes it pays and sometimes it doesn’t. But I have my priorities sorted. I make sure I’m there when Ruhaan returns home from school. He had accompanied me on the set of Yaariyaan and it was there he learn his first two words – ‘action’ and ‘cut’ instead of ‘mama’ and ‘papa’. My relationship with my child is far more important than my career,” she beams.